4/29/10

Sketchbook pages

So, since i'm not exactly doing the work I thought I'd be doing right now, I don't really have much to post!! Here's some random pages from my sketchbook so far, fortunately I've had plenty of time to doodle!

Inside cover of my sketchbook...too bad I'm not working with the KERCP anymore...
Doodle for my first chameleon experience..
Coffee+sketchbook outside at Naaz Cafe

my giraffe vertebrae, Jaala's favorite chew bone.. ♥
View from my porch when I lived in Sakina.. looking into other people's yards..
My favorite plant in an old paint can

4/17/10

Shanga

Just outside Arusha, surrounded by coffee fields and Tanapa conservation land, there is an amazing project called Shanga. Driving into Shanga, you pass vast coffee fields on your left and a mountain of recycled bottles on your right. Past the gate, strands of green, blue and brown beads hang from the trees, mixed with oversized Philodendrons and bright patched of moss. Enormous Yellow Acacia and Benjamina Ficus trees create a canopy over the Shanga workshops. Past the gift shop, the path opens up to a beautiful, rolling lawn dotted with wooden couches covered in overstuffed pillows and low tables. An open-air restaurant sits under a thatched roof on dark, wooden platforms, complete with beaded place mats and pink rose arrangements on every table. The place is so beautiful, so quiet and carries such a positive feeling, the best word I can think to describe it is zen-like. It seems like a whole world away, yet its only 20 minutes outside the stress and exhaust of Arusha.


"Shanga", the KiSwahili word for bead, is a fantastic project working to employ and train local people with disabilities so they have a steady income and opportunity to make a decent living. Artists at Shanga are trained in jewelry and bead crafts, glass melting, sewing, metal wire sculpture, handmade paper, and many other crafts. All the glass at Shanga is made from donated recycled bottles and all the paper crafts are from recycled materials as well. 100% of all proceeds from the gift shop and restaurant go back to Shanga, to employ more and more people in need. Shanga also works in conjunction with 2 other projects to benefit people with disabilities in Moshi and Dar Es Salaam.

A project like this is SO important in Tanzania, where disabled people have next to no civil rights, no accessibility and most people have extremely negative preconceptions of disabilities. It is not an uncommon attitude that disabilities are a result of witchcraft or lack of faith. Literally nothing in Arusha is accessible to anyone in a wheelchair, even the sidewalks are impassable. Seeing elderly people in wheelchairs begging on the street absolutely kills me every time and I wonder when Tanzania will wake up and get people the support they deserve. I look at my sister at home, 17 and thriving with cerebral palsy, cruisin' around in her power chair, going to a fully accessible school, getting physical therapy almost every day and I wonder why can't these people have this??? Accessibility is a RIGHT, not a privilege and it is so discouraging that a place like Arusha, with an enormous tourism economy, cannot seem to find the funding for disability.

I was so taken with Shanga, as I assume most people are, that I am planning on doing a documentary on Accessibility in Tanzania. I would love to interview the artists at Shanga and each of their partner organizations in Moshi & Dar. It will certainly be a challenge to interview individuals that are deaf or mute, especially in KiSwahili, but there are ways to communicate with everyone, and I think it would make an amazingly powerful story that needs to be told.

4/10/10

The sky here is always amazing...this is the view from the 1st floor of my apartment building looking across the street.

Potential Projects!

So, since I've decided to change my Fulbright focus a little, I have a few awesome project/documentary ideas in mind.... Since I am already affiliated with the AWF, I would like to try and work with some of their on going research projects. The AWF conducts research in certain areas that they call the 'African Heartlands'. There are 9 different Heartland regions bordering 16 different countries.

Here's a link about all the different Heartlands Projects and where they work. (the AWF website is awesome, there's SO much info on it!)
http://www.awf.org/section/heartlands

The region I would like to work in is the Maasai Steppe Heartland. There are several long-running projects happening there, from a Lion Research Project, Ivory Project, Maasai Womens' Empowerment Program, and many more. I figure with the broad range of research topics, I could make mini documentaries on all of them!!

Here's a link on just the Maasai Steppe Heartlands Projects
http://www.awf.org/content/heartland/detail/1282

There's also another amazing NGO here, called Savannas Forever, they have a research project here called The Whole Village Project. They work in many different villages that are within 5 kilometers from a park boundry. It's a very broad project, here's an article from Minnesota Public Radio that explains it very well!
http://minnesota.publicradio.org/projects/2008/05/lions/a3.shtml

So I have met with the co-director, Susan James a few times about what I could do if I worked with The Whole Village Project. I think it would make a very interesting photo essay/documentary to interview and photograph each one of her researchers, who are all Tanzanian graduate students. Most of them came from the village or from very impoverished communities, so to hear their stories of how they got to where they are now I think, would make a very powerful documentary. Susan also wants me to go to each village to document the different issues each community is facing and to share that information with the other villages. So often, NGO's here are managed by Americans or Europeans, with western perspectives of how communities should address their issues and with western ideas of '"development". I think an organization like The Whole Village is important to highlight as a way of empowering local people who are working directly with villagers to solve their own dilemmas. I am very excited that I now have 2 big projects that are interested in having me!!!!!

When you apply for the Photo/Filming permit, you have to list all of the districts you plan to work in. Between the AWF and The Whole Village project, I will have a long list of regions that I will be allowed to photograph in. SO, if I find more amazing research projects happening in any of those areas, I could potentially join up with them to really make the most of my Fulbright!!

4/6/10

April Inspiration...

Just when I thought I was at my wit's end and pondering my whole life/project/mission/goals here in Tanzania, wondering what am I really doing here? What am I really going to be able to do with my Fulbright and a (really nice) camera?? What can a Photographer do to help or change anything??!? I find this little article in an old issue of Africa Geographic, the AWF magazine.

"Wildlife conservation legend George Schaller wrote; 'Pen and camera are weapons against oblivion, they can raise awareness for that which may be lost forever.' Photography can be a powerful force for the environment, especially when paired with the collaboration of committed scientists, politicians and policymakers. Conservation photography is instrumental in replacing environmental indifference with a culture of stewardship and passion for our wildlife and wild places, and has never been more important than it is today.

A Harvard University study shows that we just have one-third of a second to catch someone's attention. To do that, you need images that are striking, original, bold and memorable. Without these, a modern audience is unlikely to read or absorb even the most exquisitely crafted text, map or graph.

In Africa, photography has been instrumental in many conservation milestones, from the protection of vast tracts of Congolese rainforests to the creation of 13 National Parks in Gabon..... Senegalese photographer Baba Dioum said: 'For, in the end, we will only conserve what we love, we will only love what we understand, we will only understand what we are taught'. Inspirational wildlife photography teaches such an understanding and fosters a love for our natural world.

The mission of a conservation photographer is to create images that make a difference; images that move people to change behavior that it damaging to the environment and inspire them to use their skills, enthusiasm and financial resources to aid conservation...."

~original article; 'Aldabra Cadabra', by Thomas P. Peschak/Save our Seas Foundation. Africa Geographic, winter 2009